treehavn | Reading

I'm behind on my podcasts as usual but "AI Minstrel Shows" on It Could Happen Here aired a few days ago and was really good. Apparently there's a whole genre of AI video that I'd managed to avoid but should have guessed at. Racist buffoons on the internet now have the technology to generate completely fake Black people saying things that conform to white supremacists' ideology, which means that they can now do minstrel shows again. For free. Because AI content creators are the worst people imaginable so of course they have to do the worst things imaginable and this is one of them.

Bridget Todd does a great public service in not only making us aware of this shit but in tying it to historical uses of blackface and the ways in which punching-down "comedy" was used to create propaganda, enforce white supremacist institutional power, and transmit ideology. It's truly horrifying stuff and yet another reason to oppose the use of so-called AI in any creative space.

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podcasts

Just finished: Bread and Stone by Allan Weiss. This was really good, and filled a much needed niche both in Canadian historical fiction and working class historical fiction, which is to say there just aren't enough strike novels out there. The ending felt a bit abrupt—things are going downhill and William just...books it, albeit with some vague plan to continue the struggle elsewhere, but we don't really see the aftermath or what becomes of anyone else. Which is admittedly very true to life but it felt like it was either begging for a sequel or an afterword or something.

Currently reading: Inventing the Renaissance: The Myth of a Golden Age by Ada Palmer. I have been looking forward to this and have had an advance hold on it at the library since she started posting that it was coming out. This is a big thicc chode of a book, nearly as long as it is wide, and the very sight of it (ebooks weren't available for holds so I got it in hardcover) delights me.

It begins with a wholehearted defence of Machiavelli so I kind of knew going in that Palmer's Renaissance Opinions were likely going to align a lot with my Renaissance Opinions, which admittedly are not as informed as hers but still pretty informed. From there, she takes us all on a fucking Journey, complicating the various facets of the Renaissance—chronology, geography, ideology, and so on. Humanist, in the context of the era, doesn't mean what we think it means. There isn't a clear division between the Bad Middle Ages and the Glorious Renaissance the way we conceive it—that is an invention not just of Renaissance thinkers but of later historians. As dedicated to puncturing myths as Palmer is, she loves this era more than anything and interrogates it with humour and passion.

It's very hard to be doing things that aren't reading this book right now. I'll probably buy it in ebook form later so that I have a searchable version.

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books

And now for something completely different! Today's featured episode is from

lydamorehouse 's Mona Lisa Over Pod, "American Flagg!" I was looking forward to this episode since she mentioned it was happening but I was delayed due to being away for a week but I finally got to listen to it and it didn't disappoint.

WTF is American Flagg!, you ask, if you are a normal person and not like, a 60-year-old man on the internet like I apparently am. It was a very strange cyberpunk comic by Howard Chaykin that

rohmie introduced me to way back in the day, which ran from 1983-88. It's set in the distant year of 2031 where a giant corporation runs the world, everyone lives in malls, and the exiled government rules from Mars, and follows Reuben Flagg, a Jewish former porn star who loses his job to AI and becomes a deputy in the Plexus Rangers. Also there is a talking cat with cybernetic gloves that give him opposable thumbs. It is pulpy and cheesy and often incoherent; I loved it when I read it and haven't looked at it since.

This—and the podcast episode—really ask the question: Does a comic need to be good? This comic was influential in a lot of ways, and it is bad in a lot of ways, and Chaykin definitely has his haters. (Note: I am not one of them, I loved his run on Blackhawk, and I think his art style is cool as hell, despite his obvious. Um. Quirks. As both a writer and artist.) The gender and sexual politics are. Um. The politics-politics are genuinely incoherent, a topic that Lyda and Ka1iban explore in satisfying depth. It's satire, but satire of what exactly?

The critiques in this episode make me like it more, actually? It's much easier to write and discuss a straightforward dystopia—works like Black Mirror or American Flagg's contemporary V for Vendetta that examine one particular social problem and exaggerate it for rhetorical effect. American Flagg! is a hot mess. I did think so at the time; it's very hard to determine what it's critiquing and I don't think that's intentional as such. But it puts the state, or the contested idea of the state, in tension with corporate interests in a way that feels a little more nuanced and prescient than it should be. It doesn't give you anyone to root for, particularly, but more challenging, it doesn't give you any ideology to root for (in a way, that echoes Watchmen, in that the best you can hope for is Nite Owl's wishy-washy, ineffectual liberalism, which it's clear neither the author nor the narrative support). I'm not making it out to be Great Art but I do think it's Interesting Art and there's a reason these two can spend 99 minutes discussing it.

So yeah, I vastly enjoyed this detailed discussion of a comic that I thought everyone had forgotten about.

(Do Transmetropolitan next???)

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podcasts

Currently reading: Bread and Stone by Allan Weiss. Where we last left our hero, he'd shipped off to the Great War in a fit of youthful idealism. It went about as well as you think. One really good and interesting narrative choice here is that the focus isn't on the grinding misery and trauma (though there is plenty of that too) but that so much of war is spent waiting, most people tend to run from gunfire and explosions rather than towards them, and the contribution of a single individual doesn't amount to very much. William experiences the kind of thing I've often felt at protests where you spend a lot of time standing around and don't feel like you've done anything. He returns to a vastly different Canada than he left—too late to say goodbye to his mother, who has died in the influenza epidemic despite being about the only person around who takes pandemic precautions. His father has gone back to the mines and sold most of the family farm, leaving his brother to deal with the rest. His aunt and uncle are cash-strapped and can't find him work. He instead goes to Winnipeg with his pro-union war buddy who promises him work. But times are tough everywhere, and he's instead drawn into movements of unemployed and underemployed workers, both the organizing committee of the general strike, and the veterans association, whose membership broadly supports a strike but whose leadership does not.

This book is immensely detailed—I imagine drawn from primary sources. There was a lot written at the time so someone willing to put in the effort really could get every single bit of infighting and discussion that happened in all of the organizations that were around at the time. It's impressive. It doesn't make for the most action-packed reading, but if you are really interested in the period (which I am) this is better than any non-fiction text I've read about it.

I also quite like how William is not particularly a reliable narrator or an admirable person. He's certainly idealistic, but he's an absolute himbo with a number of blind spots, especially when it regards women and immigrants. At the core of this book there's a very similar sort of debate as we see today—does the left cave to populist sentiments around marginalized groups, or does it stand its ground? (Basically, the returned soldiers tend to be pro-strike but anti-immigrant, which the elite politicians, business owners, and journalists use to drive a wedge in the movement.) The book's narrative comes down solidly on the "stand your ground" side, though...history is history and we know the strike lost.

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books

The news in general is pretty awful so I hope you can enjoy this little story from Toronto. Our transit system, the TTC, has been getting progressively more awful in the almost 30 years I've lived here. Whenever you need to travel by TTC, you have to give yourself an extra 30 minutes to an hour just in case it breaks down. Despite this reduction in service, fares continue to increase well beyond what an ordinary working class person can afford. This in turn forces more people to rely on personal vehicles, fuelling far-right politics.

With this background on mind, what did the TTC do with their paltry budget this year? Improve vehicles so that they don't stop working when they get wet? Fix the signal issues they have multiple times a day? Reduce the fare to match the reduced service?

Nah, this is Toronto. They rebranded the fare inspectors, which shall henceforth be known as...

...drumroll...

Provincial Offences Officers!

I swear I saw like 3 people post about this before I clicked the link and realized it wasn't parody. Anyway. People reacted exactly how you'd expect, and the TTC's response, rather than saying "oopsie!" (or "poopsie!") was to chide its own customer base for being so childish.

Personally I think POO is a lateral move from what most people I know call them, which is "fare pig," and probably that money could have been better spent on almost literally anything else.

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